Marvel continues. The remembrance of the Armenian genocide (1915) inspired the Boghossian Foundation to bring a selection of collages by Sergei Parajanov to Brussels. Parajanov is most known for his exceptional films Shadows of Forgotten Ancestors (1964), a personal blend of folklore, color and vision, and the stunning Sayat Nova (The Color of Pomegranates, 1969), a tableau-like celebration of the Armenian poet Sayat Nova.
The films being too experimental for the social-realist paradigm of the USSR, and Parajanov expressing a critical voice as well as being openly gay resulted de facto in a ban on filming for about 15 years, and years of imprisonment in a labor camp. In this period, Parajanov started to work on paper collages, to create ‘mini-films’. He also made lots of three-dimensional cabinets and boxes. His film shots already often combined several layers into one image, but his collages thicken this multiplying effect and combining of several influences, spheres, colors or significations. James Steffen, who published the first English-language study on Parajanov’s films, wrote a nice introduction for the catalogue of a similar exhibition in 2014 in New York.